Author: jdonald

  • Their Lonely Betters

    The poem “Their Lonely Betters” by W.H.Auden read by Graham Donald

    You can hear the reading here

    Their Lonely Betters by W.H.Auden
    Their Lonely Betters by W.H.Auden


    As I listened from a beach-chair in the shade
    To all the noises that my garden made,
    It seemed to me only proper that words
    Should be withheld from vegetables and birds.

    A robin with no Christian name ran through
    The Robin-Anthem which was all it knew,
    And rustling flowers for some third party waited
    To say which pairs, if any, should get mated.

    Not one of them was capable of lying,
    There was not one which knew that it was dying
    Or could have with a rhythm or a rhyme
    Assumed responsibility for time.

    Let them leave language to their lonely betters
    Who count some days and long for certain letters;
    We, too, make noises when we laugh or weep:
    Words are for those with promises to keep.

  • The Leaden Eyed

    The Leaden Eyed by Vachel Lindsay read by Graham Donald

    You can hear the poem here

    The Leaden eyed by Vatchel Lindsay
    The Leaden eyed by Vatchel Lindsay

    Let not young souls be smothered out before

    They do quaint deeds and fully flaunt their pride.

    It is the world’s one crime its babes grow dull,

    Its poor are ox-like, limp and leaden-eyed.

    Not that they starve; but starve so dreamlessly,

    Not that they sow, but that they seldom reap,

    Not that they serve, but have no gods to serve,

    Not that they die, but that they die like sheep.

  • The Isles of Greece by Lord Byron

    Listen to Graham Donald reading “The Isles of Greece” here

    The Isles of Greece by Lord Byron
    The Isles of Greece by Lord Byron

    Lord Byron wrote “The Isles of Greece” in 1819 as a call for Greek independence.

    Greece at that time was part of the Ottoman Empire and Byron both championed, financed and participated with the Greeks in their war against the Turks. 

    He died in Messolongi in 1824 while still actively promoting the revolution


    THE isles of Greece! the isles of Greece
        Where burning Sappho loved and sung,
    Where grew the arts of war and peace,
        Where Delos rose, and Phoebus sprung!
    Eternal summer gilds them yet,
    But all, except their sun, is set.

    The Scian and the Teian muse,
        The hero’s harp, the lover’s lute,
    Have found the fame your shores refuse:
        Their place of birth alone is mute
    To sounds which echo further west
    Than your sires’ ‘Islands of the Blest’.

    The mountains look on Marathon—
        And Marathon looks on the sea;
    And musing there an hour alone,
        I dream’d that Greece might still be free;
    For standing on the Persians’ grave,
    I could not deem myself a slave.

    A king sat on the rocky brow
        Which looks o’er sea-born Salamis;
    And ships, by thousands, lay below,
        And men in nations;—all were his!
    He counted them at break of day—
    And when the sun set, where were they?

    And where are they? and where art thou,
        My country? On thy voiceless shore
    The heroic lay is tuneless now—
        The heroic bosom beats no more!
    And must thy lyre, so long divine,
    Degenerate into hands like mine?

    ’Tis something in the dearth of fame,
        Though link’d among a fetter’d race,
    To feel at least a patriot’s shame,
        Even as I sing, suffuse my face;
    For what is left the poet here?
    For Greeks a blush—for Greece a tear.

    Must we but weep o’er days more blest?
        Must we but blush?—Our fathers bled.
    Earth! render back from out thy breast
        A remnant of our Spartan dead!
    Of the three hundred grant but three,
    To make a new Thermopylae!

    What, silent still? and silent all?
        Ah! no;—the voices of the dead
    Sound like a distant torrent’s fall,
        And answer, ‘Let one living head,
    But one, arise,—we come, we come!’
    ’Tis but the living who are dumb.

    In vain—in vain: strike other chords;
        Fill high the cup with Samian wine!
    Leave battles to the Turkish hordes,
        And shed the blood of Scio’s vine:
    Hark! rising to the ignoble call—
    How answers each bold Bacchanal!

    You have the Pyrrhic dance as yet;
        Where is the Pyrrhic phalanx gone?
    Of two such lessons, why forget
        The nobler and the manlier one?
    You have the letters Cadmus gave—
    Think ye he meant them for a slave?

    Fill high the bowl with Samian wine!
        We will not think of themes like these!
    It made Anacreon’s song divine:
        He served—but served Polycrates—
    A tyrant; but our masters then
    Were still, at least, our countrymen.

    The tyrant of the Chersonese
        Was freedom’s best and bravest friend;
    That tyrant was Miltiades!
        O that the present hour would lend
    Another despot of the kind!
    Such chains as his were sure to bind.

    Fill high the bowl with Samian wine!
        On Suli’s rock, and Parga’s shore,
    Exists the remnant of a line
        Such as the Doric mothers bore;
    And there, perhaps, some seed is sown,
    The Heracleidan blood might own.

    Trust not for freedom to the Franks—
        They have a king who buys and sells;
    In native swords and native ranks
        The only hope of courage dwells:
    But Turkish force and Latin fraud
    Would break your shield, however broad.

    Fill high the bowl with Samian wine!
        Our virgins dance beneath the shade—
    I see their glorious black eyes shine;
        But gazing on each glowing maid,
    My own the burning tear-drop laves,
    To think such breasts must suckle slaves.

    Place me on Sunion’s marbled steep,
        Where nothing, save the waves and I,
    May hear our mutual murmurs sweep;
        There, swan-like, let me sing and die:
    A land of slaves shall ne’er be mine—
    Dash down yon cup of Samian wine!

  • The Jazz of this Hotel

    The poem “The Jazz of this Hotel” by Vatchel Lindsay read by Graham Donald. You can listen here

    The Jazz of this Hotel by Vatchel Lindsay
    The Jazz of this Hotel by Vatchel Lindsay

    The poem contrasts the loud, “hard and cold” artificiality of city jazz with the “slower,” natural rhythms of the sea, thunder, wind, and rural life, lamenting the loss of simpler, authentic experiences for the mechanical energy of modern urban life, with lines emphasizing nature’s deep tones (tom-toms, violin, cello) against the hotel’s jarring, unrooted sound. 

    The poet illuminates the  conflict between the organic, timeless rhythms of nature and the frantic, artificial energy of urban life. In the  concluding paradox, the jazz sounds “hot” but feels emotionally empty, harsh, and isolating compared to the warmth of nature and simple life.


    Why do I curse the jazz of this hotel?

    I like the slower tom-toms of the sea;

    I like the slower tom-toms of the thunder;

    I like the more deliberate dancing knee

    Of outdoor love, of outdoor talk and wonder.

    I like the slower, deeper violin

    Of the wind across the fields of Indian corn;

    I like the far more ancient violoncello

    Of whittling loafers telling stories mellow

    Down at the village grocery in the sun;

    I like the slower bells that ring for church

    Across the Indiana landscape old. 

    Therefore I curse the jazz of this hotel

    That seems so hot, but is so hard and cold.

  • Crossing the Bar

    Graham Donald reads “Crossing the Bar” by Lord Tennyson

    The ‘bar’ is a barrier at the entrance to a harbour – so to ‘cross the bar’ means to go out into the wide ocean – a metaphor for death. The ‘Pilot” is God

    Hear the poem here

    Crossing the Bar card .webp
    Crossing the Bar card .webp

    Sunset and evening star,

          And one clear call for me!

    And may there be no moaning of the bar,

          When I put out to sea,

       But such a tide as moving seems asleep,

          Too full for sound and foam,

    When that which drew from out the boundless deep

          Turns again home.

       Twilight and evening bell,

          And after that the dark!

    And may there be no sadness of farewell,

          When I embark;

       For tho’ from out our bourne of Time and Place

          The flood may bear me far,

    I hope to see my Pilot face to face

          When I have crossed the bar.

  • Bagpipe Music

    Graham Donald reads one of his favourite poems :

    Bagpipe Music by Louis MacNiece

    listen here

    Bagpipe music card .webp
    Bagpipe music card .webp

    t’s no go the merry go round, it’s no go the rickshaw,

    All we want is a limousine and a ticket for the peepshow.

    Their knickers are made of crêpe-de-chine, their shoes are made of python,

    Their halls are lined with tiger rugs and their walls with heads of bison.

    John MacDonald found a corpse, put it under the sofa,

    Waited till it came to life and hit it with a poker,

    Sold its eyes for souvenirs, sold its blood for whisky,

    Kept its bones for dumb-bells to use when he was fifty.

    It’s no go the Yogi-Man, it’s no go Blavatsky,

    All we want is a bank balance and a bit of skirt in a taxi.

    Annie Mac Dougall went to milk, caught her foot in the heather,

    Woke to hear a dance record playing of Old Vienna.

    It’s no go your maidenheads, it’s no go your culture,

    All we want is a Dunlop tyre and the devil mend the puncture.

    The Laird o’Phelps spent Hogmanay declaring he was sober,

    Counted his feet to prove the fact and found he had one foot over.

    Mrs Carmichael had her fifth, looked at the job with repulsion,

    Said to the midwife ‘Take it away; I’m through with over-production’.

    It’s no go the gossip column, it’s no go the Ceilidh,

    All we want is a mother’s help and a sugar-stick for the baby.

    Willie Murray cut his thumb, couldn’t count the damage,

    Took the hide of an Ayrshire cow and used it for a bandage.

    His brother caught three hundred cran when the seas were lavish,

    Threw the bleeders back in the sea and went upon the parish.

    It’s no go the Herring Board, it’s no go the Bible,

    All we want is a packet of fags when our hands are idle.

    It’s no go the picture palace, it’s no go the stadium,

    It’s no go the country cot with a pot of pink geraniums,

    It’s no go the Government grants, it’s no go the elections,

    Sit on your arse for fifty years and hang your hat on a pension.

    It’s no go my honey love, it’s no go my poppet;

    Work your hands from day to day, the winds will blow the profit.

    The glass is falling hour by hour, the glass will fall forever,

    But if you break the bloody glass you won’t hold up the weather

  • A trip up the Congo

    Sir Alan Donald recounts a disaster of a trip up the Congo to visit the diamond mines at Mbuji-Mayi.

    see the YouTube video here

    A trip up the Congo to the Mbuji-Mayi Diamond Mines

    On another memorable trip, we went to Mbuji Maya to inspect some diamond mines at the invitation of de Beers.  A young man was deputed by the company to act as our host and guide for the weekend. The programme envisaged a trip by boat up the river from Mbuji Maya to visit the area where the diamonds were being dug, a night in the camp there and a return by the river to Mbuji Maya before flying  back to Kinshasa.  We arrived at the place safely and on time at about noon on the Friday. To our dismay, we were told that the Mayor of the city wished to honour us with a lunch. It was nearly 3 o’clock before we got away from lunch and went to the jetty.  The young man from de Beers had organized two inflatable rubber dinghies.  We thought we were going to travel on a river steamboat in the style of Joseph Conrad. It was not to be.

    We watched in awe as these two inflatable dinghies with outboard motors went roaring up and down the waterway.  I asked what was going on.  The guide said they were just testing the engines.  This was rather an ominous start.  We piled into one of the dinghies and the other was loaded with our baggage and we proceeded up the river. 

       By this time it was between 3:30 and 4pm, and I asked about the length of our journey.   I was told it was about 50 miles. I did some quick calculations and worked out to travel this distance in a dinghy would take several hours and darkness always fell promptly at 6 o’clock.  I began to have grave doubts about this whole expedition.

       About half an hour up stream on the Lualaba river, we gradually became aware that our boat was starting to leak and in danger of sinking.  The second boat was summoned and in the middle of the stream the luggage was put on our dinghy and we transferred ourselves rather perilously into the baggage dinghy.  As we proceeded up stream, we could see coming towards us the father and mother of a thunderstorm. A thunderstorm in Africa has to be seen to be believed. The sky was dark, lit with flashes of lightening and it began to get really gloomy. 

        We got through the torrential rain all right, but we then lost touch with the second boat with all our belongings on board. It must have pulled into the bank to effect the necessary repairs. We found ourselves in the single dinghy proceeding alone.  It was getting darker and darker because of the storm, and also because night was falling. 

    Round about 6 o’clock we found ourselves getting into shallower water and it was clear that we were now on a much smaller waterway than the main river.  I asked the de Beers man if he was familiar with the river. “No”, he answered, “As a matter of fact, this is my first visit too”.  I turned to one of the Zairian crew and asked if he was familiar with this stretch of water. “ Oh yes” he said, “ I know it like the back of my hand”.  It became painfully obvious that he didn’t, because within a few minutes we were stranded on a sand or reed bank in the middle of this narrowing tributary.  We asked if the boat had provisions or equipment of any kind for use in emergency. We discovered that it did not.  They had assumed that they would travel the 50 miles in a couple of hours.  Fortunately, Janet had got anti mosquito cream, fresh water and, most important of all, a bottle of whisky.  So we hauled the dinghy up onto what appeared to be the bank of the river (which actually turned out to be a floating island). Janet settle down in the middle with a man either side of her to keep her warm. We plied ourselves with whisky and tried to sleep.  It was pretty awful in the darkness with the mosquitoes. During the night we heard a hippopotamus stamping beside us through the reeds into the water. 

           In the morning there was a miraculous vision. As we looked out over the river, we could see a bank of fog just above the water level.  Gliding down it with only the only the head and shoulders above the mist were one or two fisherman in their small canoes. It was rather mystical.  We couldn’t attract their attention and I don’t think it would have done much good if we had. 

     We eventually got back into our own boat and decided we must retrace our path. It was quite clear in the daylight that we had come adrift terribly the night before and were on a tributary of the big river.  We went back down the river and located the main stream.  We turned right upstream again and continued forging up the river. It was then that the man who “knew the river like the back of his hand” announced that we were running out of petrol. If we didn’t land, we would be stranded in the middle of the river with no means of power.  We spotted a small hut on the bank. We were able to get to the bank, anchor the dinghy, and clamber out. The fisher family who were roasting or baking fish in an oven made out of an old oil drum offered us food, which we cravenly declined. The fisherman was badgered into shinning up a tree to knock down what we thought was a coconut, which we hoped to eat for breakfast. Sadly it was not edible. We sat on the bank wondering what we should do next.

     Janet and I thought that if we had not seen any sign of any help by midday we should get into the dinghy and float down stream using the current to get us back to where we started, some 20 or 30 miles away.  At 5 minutes to 12, just when we were going to act on this manly decision,we heard this “putt, putt, putt” of an outboard motor and saw the second dinghy coming towards us downstream.  It had passed us in the night, reached the diamond mine, not found us there and had come back to find us.

        They happily had some petrol and we could therefore continue our journey, arriving at the camp at about dusk.  To our horror, the Zairians announced that we had to leave next morning at crack of dawn as there was another banquet waiting for us downstream 50 miles away.  At about this time, Janet and I became irritable and said we had not come all this way to turn round and go back again: we would spend the night there, look at the mines in the morning and go down at leisure, either the next evening or even the day after.

      This was rather grumpily agreed to and we went to sleep in hammocks in a tent.  There were mosquito nets, but when we got up in the morning we found there was an army of huge brown ants tramping through the tent. As I got out of my hammock, ants climbed up my trousers. It was a most unnerving and disagreeable experience.  However we did return safely by river to Mbuji Maya and thence to Kinshasa, sadder and wiser and thankful to get home.

  • Pygmies and the Kolwezi massacre

    Sir Alan Donald reminisces about meeting the Pygmies and the Kolwezi Massacre during his time as British Ambassador in the Congo

    See the YouTube video here

    AED JHTD Pygmies.webp
    Pygmies and the Kolwezi massacre.webp
  • The Two-Horse Chariot

    Imperial Nightfall Series: Vol 1

    Two Horse Chariot landscape.webp
    Two Horse Chariot landscape.webp

    Introduction

    So there I was, in the car with my Uncle Graham driving to Aberdeen. We had had a big family party the previous night and I had not slept well. What is worse, I was suffering from a hangover. I was looking out the window with my forehead pressed against the cold glass. Graham was talking as he drove, and I could tell by his tone of voice that he was trying to explain something very important to me. It was all about King Arthur and the reason why the sword Excalibur had to be thrown back into the lake. I wasn’t listening too closely and I inadvertently let out a yawn.

    Graham was deeply offended and stopped talking immediately. I apologised, and asked him to continue his story and and explain why it was that Excalibur had to be thrown away. But he refused. He pouted. He sulked as only a middle-aged gay man can. I asked him again, but he did not want to return to the subject.

    Later, when we got to Aberdeen, we were searching for a parking space outside my grandmother’s house. “There’s one right there” I said trying to be helpful “You can just reverse right into it”. But Graham then told me that he didn’t know how to reverse a car. It was something that he had never learnt. “So how did you get your driving license?” I asked. It turns out that during Graham’s time in Nigeria, as a District Officer for the Colonial Service, he had bought a car and then investigated how to go about getting a driving license. Checking out the rulebook, he was pleasantly surprised to find that he himself was in charge of issuing driving licenses. So he took himself for a brief spin around the block, patted himself on the back and wrote out his own driving license. And drove on that license for the rest of his life, never having learnt to reverse.

    Graham Charles William Donald was born on 5th January 1933 in Inverurie near Aberdeen, delivered by the same doctor, Dr.Gill, who had been there for his two elder brothers Alan and Robin. Tragedy was to strike three years later when his father, Robert Donald died of a stroke at the age of only 43. So Graham never really knew his father, and spent most of his life searching to fill that void. He was brought up by his ambitious and driving mother. She, having been left a penniless widow, fought hard to bring up her four children alone. The youngest child, Elisabeth, was born after her father died.  

    Graham was his mother’s favourite. He was a cheerful and happy child, welcoming guests with charm and smiles. But she could never understand why he didn’t settle down with a good woman, and remained ignorant of his homosexuality until her death in 1980. Graham died four years later.

    Sir Alan Donald, British Ambassador to Indonesia, was entertaining important guests at the residence in Jakarta when a servant interrupted the dinner party and came to tug at his sleeve. “There is a phone call for you” he said. “Not now” replied Alan “take a message”. But the servant insisted it was important, so Alan went out to the hallway to take the call. It was the authorities in Bangkok calling to inform him that his brother Graham had committed suicide by jumping out of a hotel window in the notoriously seedy, red light district of Patpong.

    Alan and Graham were born 18 months apart and so were extremely close during their childhood. The eldest brother, Robin, was three years older than Alan and so had a more distant relationship with his two younger siblings, reinforced by the fact that after his father died, he had to become “the man of the family” and so wore a lot of responsibility on his shoulders. The youngest child, Elizabeth, was 3 1/2 years younger than Graham and was always the baby of the family, and being female had a different outlook from her brothers. 

    So Alan and Graham were a tight unit, playing together, getting into scrapes together and then laughing about it afterwards. They both won scholarships to the same private school – Fettes – and both went on from there to Cambridge, overlapping with each other throughout these educational stages. Their upbringing was almost identical: same trauma of a lost father, same schools, same home, same jokes, same dreams of escape from a rather overbearing mother and the limiting confines of Aberdonian society. 

    Even after leaving University, they were joined, not just by the double helix of their shared DNA, but also by a strange spiralling interaction of locations. Graham, in the Colonial Service (and later as a teacher), and Alan, in the Diplomatic Service, both worked in Africa, in Greece, and in the Far East, though not always at the same time. So, for me, the essential question is this: how is it that two balls, shot from the same cannon at the same angle of elevation, could have two such different trajectories?  One ascending to glory and knighthood, the other suicidally depressed, surrounded by prostitutes and self loathing.

    In Jungian psychology, the psyche has three parts: the primal id, the moralistic superego and the ego which mediates between the two. In an uncanny prefiguring, two millennia earlier, Socrates had a similar concept. He likened the soul to a charioteer driving two horses – one white, one black. The white, noble steed is driven by good thoughts and deeds galloping along the true path of righteousness and morality. The black horse is driven by baser desires and bolts off course whenever it sees something it wants.  The job of the charioteer is to control these two opposing impulses, and keep the chariot steady. 

    Graham often said that his problem was he could never control the black horse. But at a meta level, maybe the two horses were Alan and Graham with the charioteer being Providence or Serendipity. Or, to complete the triangle, maybe the charioteer was Janet, Alan’s wife, who was also at Cambridge with the two of them and to whom Graham addressed his most confessional letters. His letters to his brother Alan were typically serious, factual and rather businesslike, it was to Janet that he revealed his soul. 

    Brillat-Savarin once wrote “ Tell me what you eat and I will tell you what you are”. With Graham, it was not so much “you are what you eat”, but “you are what you read”.  Both his parents were English teachers, as was he. So his letters are shot through with literary allusions, and he expressed it himself most personally through another person’s words. I have tried in my footnotes to unpick and explain these literary references, to better illustrate who Graham was. For Graham was his library, and his library was Graham. 

    Graham’s correspondence fluctuated between proper long letters and joking postcards. In fact, you could read the barometer of his moods by looking at his choice of missive. When things were going well, it was always postcards; a cheerful way of touching base with a joking reference to a sometimes incongruous picture on the front. He would buy handfuls of blank postcards on his travels, and then send them to friends later at his leisure. When things were not going so well, it was long letters filled with introspection and angst. In the last year of his life, it was only letters. Interestingly, in all his writing he was meticulously about adding the date. It was as if he wanted to consciously make a historic record. It may have been only a throwaway joke on a postcard, but it seemed he wanted it to be added to the oeuvre.

    Graham was a man with no reverse gear – he never learnt how to do it. He would often refer to himself as “Toad of Toad Hall”, the protagonist in “The Wind in the Willows” by Kenneth Grahame. This comic character was a ridiculous but lovable optimist, chasing his enthusiasms and always getting into scrapes with the law. 

    Graham was born both too early and too late. Too early, because the law and social attitudes to homosexuality changed in the 1980s; being gay became perfectly acceptable, even unremarkable, in society. Too late, because Graham was perfectly cut out for the British Empire. His public school training, his love of Kipling and other Imperialist Victorian writers, and his fierce national pride (though for Scotland more than England) made him a perfect recruit for a role in the colonies  – either as an administrator or a teacher. For him, the empire ended too soon, and those jobs that many before him had easily found, dwindled and then finally fizzled out. As did he.

    I never did discover why Excalibur had to be thrown away. Part of the reason for starting this project was that I hoped that, maybe, the answer to that question might be in the huge quantity of letters from Graham that my father had kept. Sadly, I never found it. Was it something to do with a purity that was too good for this evil world? I can speculate, but I will never know for sure. It is one more secret that Graham, who had many secrets, took to his grave.

  • Imperial Nightfall Series Launched

    The first volume in the Imperial Nightfall Series will be “The Two Horse Chariot” the collected letters of Graham Donald

Verified by MonsterInsights